Shirt of Nettles, House of Thorns

by Nathalie F. Anderson

in awed esteem for Alice Maher
who made these things



1. Strange Seed

You plant the strange seed to see how it grows—

a beanstalk to the clouds, a better tomato,

poison apple, deadly nightshade, kudzu—

always a surprise. So the little ruddy rose hip


yawns into a peony; the grain of salt

takes fire, puffs out its cheeks of glass; the seed pearl

complicates in porcelain crinolines;

splinters thicken to hard block; the dust bunny


kicked and wincing, forgotten under the bed,

rowls itself into the junk–yard dog—that's it

in a nutshell: each snail distilling

the cowl on its back, the husk it was born to.



2. House of Thorns

A nest for Thumbelina nestled into moss,

pied–á–terre among the pommes–de–terre,

basking and burnished as a cinnamon cat

licked into spits and glossy with tending.


Look again: it's the bristling boll of sweet–gum or

sycamore or buck–eye—some spurred species—squared

to a folk profile: peaked roof, high gable

spiky with thorn—a closed house, impervious,


leathering into prickly isolation.

Where's the girl ripe for piercing, who shuttered

her windows and latched fast her doors? Where's the chink

to press an eye to? Where's the coy lip to kiss?


Oh prince, rip your hands, rip your heart out. Someone

walked through the briars with her eyes wide open,

laying her hand deliberately against each thorn—

thick at the base, fanged at the tip, each cat–claw


picked for its perfection, slicing the thumb

to the bone. Someone dried them, aligned them,

mortared them straight. Someone knew you'd come looking.

She built that house, made that bed, walked away.



3. Shirt of Nettles

Thick in the thicket gooseberries hung their lanterns

from two–inch spines; raspberries ripened into jam

on razor–edged canes. She held the gloves out

so disparagingly, you saw you couldn't win.


Ringed round by thrusting briars muscled thick as snakes,

there's not much scope for turning. Bees laced themselves

through the fretwork. The smug smile: "It's only nettles." Your hands

puffed white with the sting. Blackbirds in the hawthorn,


beaks open for the bite. Between morning

and evening a quick snap of the tongue: fling out

the changeling cursed with a quickness

too sharp for her own good. Imagine going wittingly


to pluck the nettle, leaves caught in an apron

and every slightest brush a skin–popping shock. Greening,

flattening, pinning, stitching—bite your pillow,

claw at the air, skin welting along the spine and rib


of each fine seam, each particular leaf. How long

before you strip it off, bled light as a feather—

a pain you made to grow out of,

something for Good Will, last year's fashion.



4. Ever After

Once upon a time—as long ago as that

and all forgiven. The curb falls from the tongue;

eyes cry themselves to clarity; the girl

wakes up, runs to the window, brushes


her glowing hair. But close your eyes and

it's the flay tongue, it's the whip hand, it's

the acid bath, the scald eye, the happy

ever after: fanged house, shirt of flame.








About the Author:
Nathalie F. Anderson's first book, Following Fred Astaire, won the 1998 Washington Prize from The Word Works. Her poems have been singled out for prizes and special recognition from the Joseph Campbell Society, The Cumberland Poetry Review, Inkwell Magazine, The Madison Review, New Millennium Writings, Nimrod, North American Review, and The Southern Anthology, and have also appeared in APR's Philly Edition, Cimmaron Review, Cross Connect, Denver Quarterly, DoubleTake, Louisville Review, Natural Bridge, Paris Review, Prairie Schooner, The Recorder, Southern Poetry Review,Spazio Humano,and in the Ulster Museum's collection of visual art and poetry, A Conversation Piece. Her new work Crawlers is the 2005 winner of the McGovern Prize, sponsored by Ashland Poetry Press and will be published in 2006. A 1993 Pew Fellow, Anderson currently serves as Poet in Residence at the Rosenbach Museum and Library, and she teaches at Swarthmore College, where she is a Professor in the Department of English Literature and directs the Program in Creative Writing.

Author's Note:
The Irish artist Alice Maher is known for her intriguingly twisted imagery — babies' heads cresting in the palms of out–stretched hands, for example, or little Irish step–dancers dwarfed inside their stiff embroidered costumes — and in particular for the objects she constructs from natural materials with the inexorable rightness of folk lore: a dress made of bees; a tailored shirt made of nettle leaves pieced and pinned together; a small house, about four inches tall, its entire surface studded with thorns.
"Shirt of Nettles, House of Thorns" © 2000 by Nathalie F. Anderson. The poem may not be reproduced in any form without the author's express written permission.